Eliam Ramos is a thrilling Puerto Rican bass-baritone who has performed opera and concert works with companies in the United States, Spain, Israel and Mexico. His artistic engagements range from traditional opera such as Leporello in Don Giovanni, to Luis Nogales in the zarzuela Luisa Fernanda, to symphony concerts such as Fauré’s Requiem to
Theodore S. (Ted) Davis has been organist and choirmaster at St. Bartholomew’s Episcopal Church in Baltimore since 2005. As part of the music series Ted has established, he conducts the church choir in Choral Evensong services, presents an annual “Bach at St. Bartholomew’s” series, and conducts choral concerts. He has also served as assistant to
Principal flute of the Baltimore Opera Orchestra for twenty two seasons, Sara Nichols has appeared as guest principal flute with the Baltimore and St. Louis Symphony Orchestras and the Opera Theatre of St. Louis. She has performed with the Maryland Opera, Bach in Baltimore, Baltimore Choral Arts Society, Baltimore Chamber Orchestra, Wolf Trap Orchestra,
Michael Vaughn, violin, has been performing with Bach in Baltimore since 2015, and has been a free-lance violinist in the Baltimore region since moving here from Indianapolis in 2009. He has performed with a variety of ensembles including the Baltimore Chamber Orchestra, Delaware Symphony, Reading Symphony, Maryland Symphony, Baltimore Choral Arts, and Baltimore Symphony
Morgan Mastrangelo lives and works in Manhattan, where he specializes in the tenor leggiero repertoire of Rossini and Donizetti. After completing his undergraduate studies at Northwestern University, he made his role debuts as Don Ramiro (La Cenerentola) with Joseph Rescigno at the Al. Ringling Theatre. Recent role debuts include Rinuccio (Gianni Schicchi) and Basilio
Soprano Keesun Kwon has appeared as a soloist for the Millennium Stage Concert and the Hines-Lee Opera Ensemble at the Kennedy Center. She made her New York debut at Carnegie Hall. Ms. Kwon received her Doctoral Degree in Musical Arts from the Catholic University of America, her Bachelor of Music degree from the Peabody Institute
Praised for her “plangent mezzo-soprano” (Washington Classical Review), Sylvia Leith is a soloist and consort singer whose repertoire spans the medieval to the contemporary. Recent solo appearances include Messiah with the Baltimore Symphony Orchestra, Duruflé’s Requiem and Mahler’s Lieder eines fahrenden Gesellen with Emmanuel Music Baltimore, Helena in A Fairy Queen with the IN
