Joseph Regan is thrilled to be returning to the Bach in Baltimore Concert Series this season. Mr. Regan is a highly sought after performer whose singing has taken him all over the Eastern Seaboard and parts of Europe. Recent highlights from the opera stage include a turn as Azaël from Debussy’s L’Enfant Prodigue for
John Solomon Collins was born in Washington, D.C. and raised in Prince George’s County, Maryland. Growing up, he was always surrounded by music, hearing his mother sing with the church praise team and participating in the children’s choir. He became resistant towards singing in middle and early high school, but as time went on, his
Phillip Collister, bass-baritone, has performed frequently as soloist with Bach in Baltimore as well as solo engagements with the Handel Choir of Baltimore, Washington Chamber Orchestra, the Washington Bach Consort, Maryland Handel Festival, the Bach Sinfonia, and internationally at the Handel Festival in Halle, Germany. He has performed at Carnegie Hall with his professional
Eliam Ramos is a thrilling Puerto Rican bass-baritone who has performed opera and concert works with companies in the United States, Spain, Israel and Mexico. His artistic engagements range from traditional opera such as Leporello in Don Giovanni, to Luis Nogales in the zarzuela Luisa Fernanda, to symphony concerts such as Fauré’s Requiem to
British-American soprano Claire Galloway’s theatricality covers the gamut of “palpable pain” and “splendid, funny moments” (B.I.T.R.). She has performed such roles as Dinah in Bernstein’s Trouble in Tahiti, Contessa in Nozze di Figaro, and Donna Elvira in Don Giovanni. She has also premiered roles in Jonathan Dove’s Mansfield Park and Frances Pollock’s award-winning opera Stinney,
Praised for "clarion high notes placed with unfailing precision," (Washington Classical Review), tenor Matthew Hill is a versatile performer who excels in opera, oratorio, art song, and musical theater. Highly regarded for his interpretations of Bach, Matthew’s Evangelist was praised by the Washington Post for “deliver[ing] the Gospel texts with agile conviction.” Matthew has
Jason Rylander has been praised by the Washington Post for his "strong, clear tenor" and for performances that "coupled sonorous warmth and emotional depth". He has performed with some of the East Coast's leading early music ensembles, including the Washington Bach Consort, Bach Sinfonia, Cathedra, Mountainside Baroque, Opera Lafayette, and the TENET/Green Mountain Project.
Known for his full and lyric baritone, William Marshall is passionate about the study and vocal performance of Renaissance and Baroque repertoires. In addition to acting as a specialist in the field of early music, he also performs traditional operatic and art song repertoire. His recent career highlights include the Bach Vocal Competition for
Carl DuPont is an artist, innovator, and educator dedicated to Transformational Inclusion and Care of the Professional Voice. His “rich, nuanced baritone” (Columbus Underground) has held center stage in performances at The Glimmerglass Festival, Opera Carolina, Opera Columbus, First Coast Opera, Toledo Opera, Opera Saratoga, Sarasota Opera, Cedar Rapids Opera, El Palacio de Bellas
Led by Diana V. Sáez, Director of Choral Activities, the Towson University Chorale is a mixed-voice ensemble dedicated to the performance of choral music from all styles and historical periods. The Chorale consists primarily of undergraduate music majors from the department of music. In addition to their regular performance schedule at the department of music,
