Ted has been the organist and choirmaster at St. Bartholomew’s Episcopal Church in Baltimore since 2005. As part of the music series Ted has established, he conducts the church choir in Choral Evensong services, presents an annual “Bach at St. Bartholomew’s” series, and conducts choral concerts. He has also served as assistant to the music
Our first Sunday concert of 2025 features two giants of Baroque and classical eras. Bach: Cantata 83: Erfreute Zeit im neuen Bunde Bach's Cantata 83 celebrates the Feast of the Purification of Mary with joyous melodies and intricate harmonies, reflecting both spiritual significance and Bach’s mastery of Baroque composition. Mozart: Symphony No. 25 Mozart’s Symphony
Rhianna Cockrell, mezzo-soprano, whose instrument has been described as “dark, rounded” and “with a natural warmth” (EarRelevant) captivates audiences with her performances of Renaissance and Baroque works. As an award-winning interpreter of J.S. Bach’s music, Cockrell’s performances have been described as “otherworldly…breathtaking” (Early Music America) and “unforced and resolute” (OregonArtsWatch). Recent season highlights include
From medieval music to world premieres, Julie Bosworth revels in versatile singing. Recognized for having “the richest, most buttery tone” (Washington Classical Review), this “notably stylish and expressive” singer finds joy and fulfillment in collaborating with artists across a vast array of musical genres. She has been featured on live radio broadcasts by NPR,
Taylor Hillary Boykins is an American mezzo soprano know for her melodic style, delicate phrasing, and powerful voice. Playful yet eloquent, she maintains a robust performance schedule in the DMV area. She has collaborated with a wide range of ensembles, opera companies, and orchestras including: Third Practice, Maryland Choral Society, Gonzaga University, Mind on
Soprano Kate Vetter Cain’s “sweetness of timbre and vocal power” (The Washington Post) has allowed her to collaborate with some of our region’s most renowned ensembles. She is pleased to return for her third season as a soloist with Bach in Baltimore. She has sung a soloist and ensemble member for many seasons with
Kristen Dubenion-Smith, mezzo-soprano, enjoys an active performing career in oratorio and sacred vocal chamber music, specializing in music of the medieval, renaissance and baroque eras. Highlights from recent seasons include Handel’s Israel in Egypt and Vivaldi’s Gloria with the Washington National Cathedral Baroque Orchestra, Bach’s Christmas Oratorio and St. Matthew Passion with the Washington
Soprano Elissa Edwards, hailed for her “pliant, seductive, free-ranging voice” (Gramophone) and “glistening tone” (Early Music America), is a distinguished interpreter of 17th- and 18th-century vocal chamber music. A specialist in sacred repertoire, she has been featured as a soloist in numerous oratorio and cantata performances in both the US and UK. Performance highlights
Kerry Holahan, soprano, is a solo and ensemble singer acclaimed for her versatility and interpretation of Historically Informed music, especially of the Renaissance and Baroque eras. She has appeared as soloist with American Bach Soloists in San Francisco, the Baltimore Symphony Orchestra, and recently debuted with Grammy-winning vocal ensemble Seraphic Fire at the Aspen
Mezzo-Soprano Rebecca Printz has performed as a Bach soloist with the Philadelphia Chamber Music Society, Cincinnati Symphony Orchestra, Tanglewood Music Center, and Boston’s Emmanuel Music. Rebecca recently participated in Yellow Barn’s summer music festival, where she performed chamber works by Salvatore Sciarrino, George Benjamin, and Brett Dean, among others. She has also spent two
