Soprano Kate Vetter Cain’s “sweetness of timbre and vocal power” (The Washington Post) has allowed her to collaborate with some of our region’s most renowned ensembles. She is pleased to return for her third season as a soloist with Bach in Baltimore. She has sung a soloist and ensemble member for many seasons with
Kristen Dubenion-Smith, mezzo-soprano, enjoys an active performing career in oratorio and sacred vocal chamber music, specializing in music of the medieval, renaissance and baroque eras. Highlights from recent seasons include Handel’s Israel in Egypt and Vivaldi’s Gloria with the Washington National Cathedral Baroque Orchestra, Bach’s Christmas Oratorio and St. Matthew Passion with the Washington
Kerry Holahan, soprano, is a solo and ensemble singer acclaimed for her versatility and interpretation of Historically Informed music, especially of the Renaissance and Baroque eras. She has appeared as soloist with American Bach Soloists in San Francisco, the Baltimore Symphony Orchestra, and recently debuted with Grammy-winning vocal ensemble Seraphic Fire at the Aspen
Soprano Ellie Yeonjung Kim, originally from Seoul, Korea, completed her Master's of Music degree at the Manhattan School of Music in New York studying under Joan Patenaude-Yarnell. Ellie's operatic appearances include Barbarina in Le Nozze di Figaro with the Dell'arte Opera Emsemble and Lucy in Menotti's The Telephone at the Korea National Theater. She was recognized with "great critical
Tenor Dr. Min Jin has a versatile and wide-ranging career as a leading operatic tenor, recitalist, conductor, and voice professor. Praised for his easy lyricism, emotional intensity, and extraordinary top notes, Dr. Jin has delighted audiences throughout the world. He has appeared at Carnegie Hall and Lincoln Center as a recitalist, opera performer, and oratorio soloist with choral societies. His past opera performances include leading roles
Phillip Collister, bass-baritone, has performed frequently as soloist with Bach in Baltimore as well as solo engagements with the Handel Choir of Baltimore, Washington Chamber Orchestra, the Washington Bach Consort, Maryland Handel Festival, the Bach Sinfonia, and internationally at the Handel Festival in Halle, Germany. He has performed at Carnegie Hall with his professional
Bozena Jedrzejczak Brown holds a master’s degree from The Peabody Institute and earned an individualized master’s degree at Northern Illinois University. She received a bachelor’s in music theory from The Frederic Chopin Music University in Poland. She teaches harpsichord and rudiments of figured bass at The Baltimore School for the Arts and is a faculty member at Garrison Forest School. Ms. Brown freelances
Principal flute of the Baltimore Opera Orchestra for twenty two seasons, Sara Nichols has appeared as guest principal flute with the Baltimore and St. Louis Symphony Orchestras and the Opera Theatre of St. Louis. She has performed with the Maryland Opera, Bach in Baltimore, Baltimore Choral Arts Society, Baltimore Chamber Orchestra, Wolf Trap Orchestra,
Janna Critz, mezzo soprana, is a rising artist in the early music, operatic, and concert arena, and is acclaimed for having "summoned up sonorities that were rich, warm, dark, and comforting" (San Francisco Examiner) and for her "elegance of technique" and "vivid vocalism" (Baltimore Sun). Miss Critz appears regularly as a soloist with groups
Soprano Keesun Kwon has appeared as a soloist for the Millennium Stage Concert and the Hines-Lee Opera Ensemble at the Kennedy Center. She made her New York debut at Carnegie Hall. Ms. Kwon received her Doctoral Degree in Musical Arts from the Catholic University of America, her Bachelor of Music degree from the Peabody Institute
